“I was getting closer to my creative life all year. I just didn’t realize it, because it wasn’t a step-by-step “extreme makeover” version where five weeks later I’m like, Now I’m a published author. Or, Now I can quit my day job. But all these other things happened. And now it’s been 14 weeks? And I mean, I’m rolling.”
Jennifer Shiman came back to her career in animation determined to have a better relationship with her work. “This is an opportunity to really create not only a sustainable way to earn a living, but a sustainable work process, which is necessary for my health.”
So how does one go from a slow-burn collaborative podcast to putting out a full, cohesive season of a narrative podcast in one year? With a whole lot of extremely focused action, and a laser focus on one goal.
A few weeks ago, I assigned my art students a fun project, a “forgery” of an artist they admire and want to learn from. One student picked Michelangelo. (I talked her down from trying a fresco—in two weeks—to imitating his red chalk studies.) She copied his work in her sketchbook every day. She went to
Writer Jennie Spotila says, “I thought my disability was a barrier to writing my book when, in fact, my disability just presented me with harder choices. Making art is part of you, and when you are sick, you need to remember who you are.”
You should be making your creative work every day. You should be spending more time with your family and friends. You should spend a lot more time in selling your work. You shouldn’t have to sell anything: your work should speak for itself. You should be much further along in your career. You should give
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to uncover the real reasons why you’re not able
to take control of your creative work.