Jennifer Shiman came back to her career in animation determined to have a better relationship with her work. “This is an opportunity to really create not only a sustainable way to earn a living, but a sustainable work process, which is necessary for my health.”
Get comfortable with the “know-like-trust” factor Don’t talk to strangers. Don’t accept a lollipop. Definitely don’t get in the car. You learned these rules when you were five, and, if you’re like most people, you probably still basically follow them. Even if you’ll talk to strangers, it makes you nervous. What if you get stuck with
You should be making your creative work every day. You should be spending more time with your family and friends. You should spend a lot more time in selling your work. You shouldn’t have to sell anything: your work should speak for itself. You should be much further along in your career. You should give
I’m a cartoonist and a writer. I do this work because I have something I want to communicate. Communicating that (and continuing to produce it) requires selling it, and so selling it is part of the job. Shakespeare had to sell theater tickets. DaVinci had to sell paintings. Dickens had to sell magazines. Being in the business of selling my work does not suddenly make me a “business person.” It makes me an artist.