How can we know if an idea is a good one? This time on Out on the Wire, we investigate how to refine story ideas using the focus sentence and the X/Y story formula. Plus, Ira Glass recounts a reporting trip gone sideways and Jay Allison’s takedown of formulaic storytelling.
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If you’re looking for the transcript, you can find it here.
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Includes full length interviews with:
Stephanie Foo (This American Life)
Jonathan Mitchell (The Truth podcast)
Larissa MacFarquahar (The New Yorker)
Kazu Kibuishi (Amulet)
Our edit with Robert Smith and Jess Jiang (Planet Money)
Rob Rosenthal (the Transom Workshop, How Sound)
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Find us elsewhere on the internet:
I’m on Twitter @jccabel, Producer Benjamin is @BenjaminFrisch.
Besides our Soundcloud, we’re on Tumblr, Facebook, and Pinterest. We’ll be sharing some goodies and answering your questions—see you there!
Take a look around my website. Check out the great comics on Ben’s website. Find out more about experimental comics on Matt’s blog.
This Week’s Challenge:
Your mission is to craft a focus sentence or an XY Story Formula, or, even better, both, for your narrative project.
Remember, a focus sentence is:
Someone does something…
and the XY story formula is:
I’m doing a story about X…
and it’s interesting because Y…
Your first try, like mine, might be kind of enh. But just because your focus sentence isn’t any good doesn’t necessarily mean that your story is no good. Dive in again and make it better.
Where can you seek the magic that Soren Wheeler wants for Radiolab stories? What is the universal question you’re addressing? Bring all that back to your focus sentence and your XY, and build your plan to go forward. This is your path into more focused research and deeper interviews.
Next time on Out on the Wire
In our next episode, Walk in my Shoes, we delve deep into characters. We’ll learn about what makes a good character and how we can make characters that connect with an audience. Plus we’ll learn about how to make a story about animal conservation compelling, what Ron Paul can teach us about storytelling, and the unexpected consequences of a story about Ira Glass’s dog Piney.