OK, I’m no genius, but if you replace “genius” with “art,” Edison was right when he said, “genius is one percent inspiration, ninety-nine percent perspiration.”
Case in point: Trish Trash: Rollergirl of Mars, my graphic novel-in-progress. How did I come up with this epic space opera? Well, back in 2006, I drew these illustrations for Chapter 10 (“Getting Into Character”) of the first comics textbook Matt and I wrote together, Drawing Words & Writing Pictures.
Another vintage item for my Kickstarter supporters, a red t-shirt from the 70s. It’s simple, plain, but again, it’s the fit that counts. Wabi sabi ripped sleeve trim, very punk. I’d love to give this to someone my age in the picture below, or younger.
(Below: Artbabe signing in at the original Quimby’s, on Damen, circa 1997.)
This is gonna totally screw with GraNoDraMo, and I’m only going for like 3 days, but I’m psyched anyway.
My bags are packed for the first International Conference on Comics and Graphic Novels, to be held November 9 – 12 at the Universidad de Alcalá, near Madrid.
“The main objective of the conference is to bring together the highest number of specialists and researchers on comics (graphic novels, manga, BD, etc) in order to reflect the study of this area. The theme is ‘Sites of visual and textual innovation’ and it welcomes papers on (but not limited to): the origins of comics, avant-garde and experimental narration and biography and autobiography.” Continue reading
OK: I’ve written about my new graphic novel, Trish Trash: Rollergirl of Mars, and about how out of practice I feel as a cartoonist. I need to be doing some serious preparatory drawing. My goal is to draw a complete figure sketch every day that I’m in my studio (and to be in my studio a LOT).
Would you do me a favor and hold me accountable?
I’m serious. I’ll send you art. And my old clothes! I know it sounds wacky, but take a look at my Kickstarter video. I promise it almost makes sense.
You get: art and a bit of weird ephemera, and I get: a real drawing workout. Continue reading
That’s “Graphic Novel Draw More” month, for the uninitiated.
So, guess what? It’s been a while, but I’m making a new graphic novel. I’ve actually been writing it for years. But now I’m drawing it too, and dude, it’s like 2 years late. Hence Graphic Novel Draw More month. Continue reading
I’ll be teaching an intensive comics course at the U of Minnesota St Paul campus this summer. College credit is available, housing is available, major head-cramming comix learning IS AVAILABLE.
University of Minnesota Twin Cities campus
1985 Buford Ave St Paul, MN
Noncredit Tuition: $650 ($555 + $40 fee + $55 registration fee)
Credit Tuition: Add $199 (undergraduate) or $405 (graduate)
Comics is a complex medium that requires a grasp of drawing and storytelling, as well as the tools and technology required to prepare artwork for print. Great cartoonists wield a variety of skills in the service of creating engaging and memorable narrative art, and this workshop is ideal for beginners who want to jump off the deep end and learn the basics in one week.
To LEARN MORE or REGISTER for this workshop, please visit Split Rock
Contact Split Rock Arts Program
Take a full-credit class with me, Tom Hart of the Sequential Artists Workshop, and Keith Mayerson this summer at SVA.
May 31-Aug 2 (10 weeks)
12-6, but we’re likely to shift it to 11-5.
310 East 22 Street
New York NY
• experienced teachers
• intense critiques at the panel, page, and story-arc level
• finish a 12-page story in 10 weeks
• full, transferrable college credit (ask your college to make sure)
• the only undergrad credit cartooning course SVA offers to the general public
• pretty much your last chance to take a class with Tom Hart in NYC before he moves to Gainesville to found his own school!
Fasten your seat belts for the cartooning ride of your life. This is a rare opportunity for the advanced art student to “think-tank” your pictorial narrative to new levels of experimentation. Through the research and practice of different comic forms, we will explore the infinite possibilities of how to produce meaning by the sequence of images and words. You will be encouraged to construct stories in whatever genre, style and medium you like, and critically engage in the process to achieve your own ambitious artistic goals. NOTE: Studio space is available for the ten-week session.
I’ll be speaking on an all-star program of comics faculty (oh, and Scott McCloud) at a two-day conference on comics teaching at Sarjakuvakeskus (yes, I did cut and paste that, thank you).
It’s either called “Comics Day” or “International Comics Seminar” or “Comics Teaching”–put put all those together and you get what they’re talking about. Some info follows. Full info on their site.
WHO FOR: Comics professionals, teachers, students and researchers
WHEN: 24th – 25th March 2011, 10am – 5pm
WHERE: Heltech Auditorium, Muotoilijankatu 3, 00560 Helsinki, Finland.
ENTRY: 120 €
BOOKING: Email firstname.lastname@example.org, see more below. Seats are limited.
The programme consists of lectures and panels. Main talks feature Scott McCloud (USA), Jessica Abel (USA), Markus Huber (Germany), Thierry Van Hasselt (Ecole supérieure des Arts Saint-Luc Bruxelles, Belgium) and Dan Berry (Glyndwr University, UK).
Seminar themes include:
-The Language of Comics
-Comics Teaching and Use in Education
Also: State of Comics Education in Nordic Countries from Folk High Schools to MAs – Introductions to Nordic comics schools and other education, including adaptive use of comics in different contexts
I’ll be moderating (with Matt M) a panel discussion on the Best American Comics 2010 with Neil Gaiman (the 2010 guest editor), Bryan Lee O’Malley, and Gabrielle Bell the day before NYCC opens. Start lining up now!
Thursday, October 7, 2010 at 7:00pm
Union Square Barnes & Noble, NYC
Square Fish, an imprint of Macmillan, has just rereleased Life Sucks in a low-cost trade paperback format for young adults. It’s the same book, though, and has added chapter dividers to boot.