Every year, the Maison des Auteurs, where I’m in residence, holds a group exhibition of all the artists who have been in residence that year during the Festival International de la Bande Dessinée à Angoulême (aka FIBD). The opening is the traditional first fun event of the festival, on Thursday night. I’ve got three original […]
I’ve been dropping hints about this regularly for the last year or so, but here’s the official word: I am at work on a major project on narrative techniques and ideas of the new generation of great American journalists/storytellers on the radio. Jumping off from Radio: an Illustrated Guide, a 32-page comic I did in collaboration with […]
I’ve been dropping hints about this regularly for the last year or so, but here’s the official word: I am at work on a major project on narrative techniques and ideas of the new generation of great American journalists/storytellers on the radio. Jumping off from Radio: an Illustrated Guide, a 32-page comic I did in […]
99% Invisible, Adam Davidson, Alex Blumberg, Catherine Burns, Chana Joffee Walt, David Kestenbaum, Glynn Washington, Ira Glass, Jad Abumrad, Julia Dewitt, Mark Ristich, Pat Mesiti-Miller, Planet Money, radio, Radiolab, reportage, Robert Krulwich, Robert Smith, Roman Mars, Snap Judgment, Soren Wheeler, Stephanie Foo, storytelling, The Moth, This American Life, Zoe Chace
I’m not a Francophile. I like France, but I’ve never fantasized about living here. I don’t idolize French food, or the language, or fashion. I decided a few years ago (with Matt, of course) that it would be a good idea to try to live in France, because the comics industry is so strong here, […]
The Festival International de la Bande Dessinée (FIBD) is breathing hard down our necks—the whole town is being transformed day by day into the banner-strewn tent city I remember from my previous visits. Matt and I have been put to work by many different comics-related institutions in town, and we’ve got a full plate. Here’s what we have […]
¿Qué es una “novela grafica”?—’What is a ‘graphic novel’?” poster is published in Spanish and distributed to libraries and schools across Colombia.
The Maison des Auteurs is putting on an exhibition for FIBD, and I’ve got just a few pieces in this show. It’ll be the first time finished Trish Trash pages are seen by the world.
Hot on the heels of six years of reading hundreds of American comics every year for the Best American Comics, I’ve agreed to do the same (much smaller volume, but IN FRENCH) as a member of the Grand Jury of the Compétition Officielle of the Festival International de la Bande Dessinée, to be held […]
I moved into my own studio in September. It’s big, two rooms, one for a large computer desk, the other with a small round table and a huge drawing table. Top floor, angled roof, two dormer windows (known here as “chiens-assis”, “seated dogs”). It’s roomy, well-equipped, comfortable. And a little bit lonely. I’ve never had […]
Back in the summer, I was quite unexpectedly invited to St. Petersburg, Russia, for a comics festival called Boomfest. I hadn’t heard of it, but several friends had gone, including cartoonists Joe Sacco and T. Edward Bak and José Alaniz, an academic with expertise in Eastern European and Russian comics. I don’t usually write up much of […]